He attended Dartmouth College and is a member of the board of trustees at The Hotchkiss School in Lakeville, Connecticut. He is a member of The Academy of Motion Picture Arts and Sciences. Maybe there’s some genre lines that gotta blur, but it’s gotta happen.Meledandri was born in New York City. It doesn’t have to be all cartoony necessarily, though there’s nothing wrong with it, but maybe there’s another way to do it. That kind of immersion is what animation does well, and for me it’s that transportation to another place. And those are great examples of where you can go – there’s no other way. When you go to the movies you want to be immersed in a world that you don’t have any access to. You have so many people spending so much time on each of these films, that you have to ask yourself, why are they worthy? What is it that’s worthy about what you’re working on that you can go and ask hundred of people to dedicate years of their lives? And one of the constant themes that I’m hearing through technology, storytelling, or character development is that all of us are intent upon creating a new experience for the filmmaking team so people can feel really engaged and excited, and for the audience when they come to the theater to see it.”Ĭhris Wedge on broadening what makes animated film: “‘ Gravity’ is an example, ‘ Life of Pi’ is an example, you can’t make these movies any other way. Even Robots is a little weak, I can respect it for that. The admiration and passion for the movie's world. Chris Meledandri will remained as a executive producer to the first sixth Ice. ![]() Meledandri on what makes animators wake up in the morning: “I think this whole medium has been vibrant for so long it because all of us are all endeavoring to make each film that we work on distinctive and try to push on into new terrain. 14 Robots (2005): I think this is what Chris Meledandri brought back in his producer role for Mario and what Chris Wedge brought to his other movies. The story was created by Chris Wedge and William Joyce, a childrens book. But what we found was that throughout the process of making the film that his contribution during the recording sessions were continually bringing us to new discoveries, and those discoveries would then be fed back to the writers.” That meant no one seeing the film would know it was him because it doesn’t sound anything like Steve. ![]() Meledandri on collaborating with actors to create animated characters: “Very early on we embraced using Steve Carell in shaping the character of Gru, and he decided to do the voice in an accent. The bar just keeps getting higher and higher in the facial performance, and to me that’s incredibly exciting.” Kristine Belson on acting in animated films: “For me in particular what’s blown me away since I entered the animation field is the animation itself and the acting. The company addressed the new appointment during its. ‘Frozen’ Director Wanted to Cut Olaf Until Josh Gad Was CastĬhris Meledandri regarding sequels: “You have to honor what you know the audience loves, which is usually what the filmmaking team loves about the film, but then pushing to new terrain in terms of character and story.” Nintendo has confirmed that Chris Meledandri, CEO of American animation studio Illumination, has officially joined its board of directors.
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